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A Burgeoning Rap Scene Is Breaking Out in Dubai

A Burgeoning Rap Scene Is Breaking Out in Dubai

A Burgeoning Rap Scene Is Breaking Out in Dubai

Tac would like to make something clear about his life in Dubai.

“I’m really broke. We’re all broke as f*ck here.”

As a rising rapper in a city so often viewed as the nucleus of global wealth, he feels like something of an outlier. But Tac is part of an emergent musical subculture in the region: one that is unravelling the stereotypes about the Middle East, and carving out a space for itself in the process.

Though some musicians of Middle Eastern origin have found worldwide success (most notably DJ Khaled, who is of Palestinian descent, and French Montana, who was born in Morocco), there have been no artists living and working in the region that have achieved the same level of international fame.

A new generation, though, hopes to be the first, and is looking at the template set by K-Pop and Latin American artists – all of whom reached mainstream recognition without the support of the American record industry. But the UAE has one-fifth of the population of South Korea — and almost 90% of them are expatriates, not locals. Can such a small and splintered audience create a critical mass of hype, to propel an artist towards fame?

Tac believes so. “We have a culture here, which nobody knows about,” he says. “We’ve never had anyone repping the city like that. So that’s our job now.”

“We took the culture from the West, but we’re doing it our way.”
He is relatively new to the music industry, having grown up in a household without connections to it. “My parents weren’t against music, but they never really facilitated it at home,” he says. “I just never really got that musical influence growing up. But at around 12 years old, I came across a hip hop record. And from there, I just fell in love.”

But since focusing on music four years ago, Tac has become a rising presence, known for his melodic and introspective approach to rapping on singles including ‘Bounce’ and ‘Wessside’. In 2019, he was invited to perform as a headline act at Sole DXB, the region’s largest streetwear event, alongside heavyweights like Mos Def and Talib Kweli.

Though he raps in English, Tac believes that his music has a quality that’s uniquely influenced by his upbringing in Dubai. “The difference is in our perspectives,” he says. “It’s the acknowledgement that we are Dubai kids — we’re not American, we’re not British.”

By way of example, he points to a contemporary of his, Freek, who has amassed 1.4 million YouTube views for his track ‘Wala Kilma’ [an Arabic slang expression that translates, loosely, to ‘shut up’]. “It’s a phrase that, you don’t need to be Arab to use it, but it’s a perspective that only he has,” says Tac. “It’s because he’s one of us. And no one else could have that perspective, unless they’re one of us.”

Freek is arguably the biggest success story in Dubai’s nascent rap scene, and a figure that many other local artists often make reference to. He has a fast-growing online audience, despite making music solely in Arabic. “I always thought that if I wanted to make it, I’d need to rap in English, because that’s where the industry is,” he says. But when a chance recording of a parody song, ‘Batali’ (which means “unemployed”), blew up online, his assumptions were upended. “Suddenly everyone started singing along to the hook, even if they didn’t know what it meant” he recalls. “It made people think that Arabic is kind of cold.”

More recently, Freek began collaborating with Live Base, a talent and bookings agency in Dubai that offers studio space and representation to musicians within the city, while building their profile beyond the UAE. “Their vision is sick,” says Freek. “They want to build a bridge between Dubai and the Western world. We’ve never had this bridge before.”

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